Acting is a tedious business. While actor training is delightful and insightful to an artist as a person and as a performer, the getting of jobs on the regional stage or screen in the jungle of Los Angeles can hurt the sensitive heart of an artist.Finding the best match to go forward and tackle your career requires personal insight and listening to your gut. The gimme's of meeting with an agent or manager are:
1. Know who you are - your type. This can best be determined by how you've been cast in the past.
2. Know what type of person you like to work with (direct, brutally honest, nurturing, etc.). The person an artist chooses to represent and help mold her career will ideally have a myriad of elements - know which ones are most important to you.
3. Your representation must love your work. As an actor, you should be able to tell if a person truly enjoys your work. If you cannot tell, look for amount of eye contact during your meeting - if the agent or manager does not seem interested, it's because he or she is not. If you don't get that excited feeling, working together may not be the best match.
As for running your business, Phil Brock puts it best: "You are your own CEO and everyone works for you." If the ship is not going in the direction you want, it's time for a meeting. You need to hire the people who you feel will get you where you want to go - and YOU are the boss.
Okay Boss, YOU have to step up to the plate. First, get your tools in order, then build relationships. This is not the days of old where casting directors actually had open calls to meet new actors. If you want to make it in L.A., you need to MEET casting directors and get your work in front of them. Success is all about relationships.
Your tools are crucial: headshots (that look good as a thumbnail) I love Natalie Young, a demo reel (do a FlipCamera video if you don't have anything), and get some credits. If you just can't seem to get into a screen audition, do some 99-seat theatre. Keep acting!!! I don't suggest paying to get into an acting company because I am a firm believer in being paid for your craft, but to each her own. Get on Actor's Access, which is associated with breakdowns, so you can submit yourself. Get on IMDb Pro so casting directors can find you.
Varient Actors' Lab, run by Amie Farrell, is a great class because the format is casting director guests twice a month and class to work skills twice a month. Other options include places like The Actors' Key.
As an artist, you need to tend to your heart. Integrity is tough when jobs are fleeting, the "next best thing" is always around the corner, and people are fickle. Know the things that make you happy, do them, and keep PLAYING. This is your life, make it happen as you wish.
Copywright 2010 Heather Corwin
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