To successfully attempt both of these necessities, an actor has to know her buttons. The buttons to which I refer are the touchy places in yourself that are highly reactive to other people - primarily instilled by family. For example, don't make fun of my family. Can you imagine how this button might inform me playing the role of Antigone? Add the sprinkle of grief from loosing my mom -- and playing Greek tragedy is second nature.
When you sit with a script and keenly identify with the character, your process when approaching the role may be quick and easy - because you KNOW it. However, not all roles sing so clearly to the heart of an actor.
When you identify the character's need/essential action/overall objective (and for the love of GOD - please go beyond what the script is saying literally unless it's Shakespeare), compare that need to your buttons. Which need can you easily access to accomplish that goal? Who can that other person be to you to make your behavior specific?
Life or death behavior is more exhilarating than anything else on earth! If you think playing in your button zone is scary, keep in mind all actors are control freaks. Why? Actors know the end of the story and every bump on the road. An actor's job is to make that road cost her something and for it to be more exciting to her than any other doing. Make it so!
Copyright 2010 Heather Corwin
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