Find Your Voice

As I get older, I am continually surprised at how much I still have to learn about myself.  I have years of training in the body, how the body relates to the mind, sensation work, voice work, applied bodywork, physiology, anatomy, and tapping into my reservoir of feelings.  And still, an avenue filled with gems is work with the voice.

The voice work that inspires me viscerally is Roy Hart work.  I would suggest a foundation of breath work (Berry, Linklater, Fitzmaurice) prior to this type of work.  In RH work, they often use a piano to play notes and the RH instructor leads the class in vocal quality.  For example, if the instructor is looking for light and thin notes that are also high pitch, we might work with the word "violin" to carry the tone.  To be clear, the sound quality is not the goal.  In other words, the Hart people are not after helping someone sing "pretty," but rather tap into the sounds each body/soul can express.  That freedom allows a participant to maximize range and cultivate sound and support in the body.  All people, not just opera singers, want this.

I recall the morning after working with the Roy Hart people the first time, my ribs ached with movement and breath.  I didn't know my ribs could swing that much!  They felt like an accordion - and powerful.  In no other activity had I been able to get my breath to be so big or support for so long - because I was breathing in huge thoughts and could ride the breath and the thought simultaneously. 

Though the voice work I lead is not Roy Hart, I am certainly inspired by the work.  Roy Hart said, "I left (being an actor) in order to go back into the world of non-art or humanity, because I couldn't stand the split between art and humanity."  Well, artists have to be their essential human self to bring life to the characters flaws.  These breathing creatures capture the imagination and heart of self and audience.

Before you can use your voice, you have to find it.  In your own way today, using your voice at the pitch, volume, and duration you decide - call out to someone you love!  They might hear you - even in another state.

Copyright 2010 Heather Corwin

Ambition is Necessary

"Ambition is the germ from which all growth of nobleness proceeds."
~Oscar Wilde

If you love what you do, you'll do anything to do it. This is the artists' cross to bear.

Sadly, you and I know people who are amazing talents who do not have the ambition to wade through all of the necessary meetings, business rigmarole, nor embody the tenacity of spirit to remain okay against a barrage of assaulting thoughts.

What will carry a person through the storms? Ambition. How much you want it will determine what lengths you will go to accomplish your goal. What's too much? Where do you draw the line?

I waited until I was healthy, capable, and honed my craft before moving to L.A. Most actors are encouraged to move here when they are young because it's easier for agents to pitch the young ones. Sadly, many young actors do not an acting process intact so they may land the job, and then get fired or never hired again because the performance given is either flat or unrepeatable.

The lesson? Go take classes from people who inspire you who nurture you rather than tear you down. This business is already full of sharks. There are plenty of teachers and coaches who are wonderful both at sharing craft and helping you create your own. Unabashedly, I have been told I am a great teacher because I love what I do and I love helping another actor hone her process.

Look around and find your support system. Surround yourself with people who love you!!!

I'd be interested to learn what you do to remain in integrity - or even if you choose to remain in the business on and off because of the challenges you've found.

Finding your voice is the first step, using it is the second. Let me hear from you!

Copyright 2010 Heather Corwin