Wednesday, March 10, 2010

Find a Character through Time

When you are hired to play a person living in another time, though we share the trait of being human, that person moves differently than you do now. I am sure you are aware of the fashion discrepancies decade to decade, let alone in another century, so how do you allow these differences to inform how you re-create the world of that time?

Necessary To Do List:
  • rehearsal clothing that mimics your costume(s)
  • research on undergarments, clothing styles, and garment materials (wool would feel very different than silk - how would that inform how you move?)
  • research on that town/area to learn standards of living, culture, belief systems, and where your character would fit both truthfully and most interestingly
  • what sort of secret might your character have with these given circumstances?
  • what sort of props would your character use and how can you create relationships/personalize those props?
Your dramaturg is your best friend. Great information will be had through his or her research. Regardless, do your own research prior to your first rehearsal so you can go in with questions, ideas, and fun secrets with which to play.

If you find yourself getting bogged down with the era of the play, you might find tempo of movements free you up. For example, tempo can be the inner rhythm through which your character operates. If you're playing Hedda Gabbler, you might consider her tempo to be that of a persistent heart beat. How would that inform what you do given the time, place, and garment restrictions?

Rehearsal is the time to play, play, PLAY! Use your fine imagination to live in the world of the play; use your intelligence to inform distinct choices about that world.

Copyright 2010 Heather Corwin

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